::: non-static writing :::
There are also four seats left in the online master screenwriting class Non-Static Writing. Again, check the link for more info. Class start date is May 17th for this class as well.
There are also four seats left in the online master screenwriting class Non-Static Writing. Again, check the link for more info. Class start date is May 17th for this class as well.
There are four seats left in the online master screenwriting class Structural Writing. Check the link for more info. Class start date is May 17.
February 19, 2011
by raincoaster
Max Adams, international screenwriter of mystery
Max Adams is the hardest-working screenwriter around, because not only is she an award-winning (and yes, produced) screenwriter, she’s also constantly teaching. Here is her upcoming class schedule for March, which is also a good place to plug MY upcoming course, dammit, Blogging for Writers, which has nothing to do with screenwriting per se but kicks ass nonetheless.
And so does Max.
Online Master Classes in Screenwriting
Taught by yours truly Max Adams:March:
Character Writing, 03.15.11 [3 seats left]
High Concept Writing, 03.15.11May:
Non-Static Writing, 05.17.11
Structural Writing, 05.17.11July:
Character Writing, 07.19.11
Visual Writing, 07.19.11September:
High Concept Writing, 09.13.11
The Art of the Pitch, 09.13.11November:
Structural Writing, 11.15.11
Non-Static Writing, 11.15.11•For more info on upcoming classes, visit :::afw courses:::
•For registration info contact Max via :::afw contact:::•As of January 2011 AFW online courses are accepted accredited University of Utahcourses. For info on course credit, contact Paula Lee in the Film & Media Arts Department via paula.lee @ utah.edu
[click the above orange link to read the original post]
JANUARY CLASSES:
The Art of the Pitch is now full.There are two open chairs in Visual Writing.
Visual Writing begins Tuesday, if anyone wants
to grab a chair, drop me a line now: :::contact:::
_______________________________________________MARCH CLASSES:
Character Writing: 03.15.11
High Concept Writing: 03.15.11
_______________________________________________
Registration is underway for March classes.
Please register early seating is limited.
Online Master Classes in Screenwriting
Taught by yours truly Max Adams:January:
The Art of the Pitch, 01.11.11 [*full]
Visual Writing, 01.11.11 [*6 seats left]March:
Character Writing, 03.15.11
High Concept Writing, 03.15.11May:
Non-Static Writing, 05.17.11
Structural Writing, 05.17.11July:
Character Writing, 07.19.11
Visual Writing, 07.19.11September:
High Concept Writing, 09.13.11
The Art of the Pitch, 09.13.11November:
Structural Writing, 11.15.11
Non-Static Writing, 11.15.11•For more info on upcoming classes, visit :::afw courses:::
•For registration info contact Max via :::afw contact:::
•As of January 2011 AFW online courses are accepted accredited University of Utah courses. For info on course credit, contact Paula Lee in the Film & Media Arts Department via paula.lee @ utah.edu
Readers are entirely dependent on you. There is no movie unless you put it on the page. So, you have, absolutely have, to give readers a visual.
This does not mean a map of the furniture layout in the protagonist’s room. This means an impression of the location.
Is the furniture out of Salvation Army or out of a French showroom? Does this location scream cash? Or last dime? What does the location tell you?
The three most important elements of location are, space, light, texture.
Consider these two examples:
INT. KITCHEN - DAY
The kitchen is ugly, small, cramped beyond thought, one small bare bulb overhead tries to illuminate the dirty linoleum floor and old Formica table without any help from windows.
INT. KITCHEN - DAY
The kitchen is huge, spacious, whoever lives here has more money than God. More than modern refrigerators with glass doors going on forever line the wall, frosty interiors illuminated by harsh artificial light….
Those are examples from yours truly just making up two very different kitchen locations on the fly. Notice how different the locations are using just three elements: Space. Light. Texture.
•Excerpted from the lecture series “On Visual Writing” by Max Adams
•Academy of Film Writing | Visual Writing
“Visuals are the weakest element in most script pages I see and Visual Writing is the first class I created because I thought this was the most important missing subject in screenwriting classes. Most writers sit down and think story. But a film is not just story. A film is, literally, moving photographs. And if you don’t know that, if you don’t write that, you are not writing a film. And nobody reading the script will ‘see’ a film. Because you didn’t write one. This is why space, light, and texture are the building blocks of Visual Writing. Because space, light and texture are the building blocks creating an image on film — and so, the building blocks creating ‘film’ using just words on a page.”
– max adams discussing :::visual writing:::
where the art work comes from :
that is from tänze des grauens
To register for :::Visual Writing:::
Honestly I am tired. Between friend birthdays, friend visits, the new books and Nicholl events, I do not really feel like pushing this class, it is a fine size and I am good with going with it with its current roster count but there are a couple seats left so I will put it out there.
We are going to do magic with words.
:::max academy:::
:::visual writing:::
:::classes:::
:::space | light | texture:::
Course Name: Visual Wriring
Course Start Date: Tues Nov 16th
Course Location: :::Online:::
Course Duration: 6 Weeks
Course Tuition: $375
Course Registration: :::Contact:::
where the art work comes from :
that is magician’s rabbit in hat by kent dufault
To register for :::Visual Writing:::
Honestly I am tired. Between friend birthdays, friend visits, the new books and Nicholl events, I do not really feel like pushing this class, it is a fine size and I am good with going with it with its current roster count but there are a couple seats left so I will put it out there.
We are going to do magic with words.
:::max academy:::
:::visual writing:::
:::classes:::
:::space | light | texture:::
Course Name: Visual Wriring
Course Start Date: Tues Nov 16th
Course Location: :::Online:::
Course Duration: 6 Weeks
Course Tuition: $375
Course Registration: :::Contact:::
where the art work comes from :
that is magician’s rabbit in hat by kent dufault
There are only two days left to register for Visual Writing.
Hit the orange link for more info.
“Visuals are the weakest element in most script pages I see and Visual Writing is the first class I created because I thought this was the most important missing subject in screenwriting classes. Most writers sit down and think story. But a film is not just story. A film is, literally, moving photographs. And if you don’t know that, if you don’t write that, you are not writing a film. And nobody reading the script will ‘see’ a film. Because you didn’t write one. This is why space, light, and texture are the building blocks
during the first week in Visual Writing. Because space, light and texture are the building blocks creating an image on film — and so, the building blocks creating ‘film’ using just words on a page.”
– max adams discussing :::visual writing:::
where the art work comes from :
that is from tänze des grauens