Celluloid Blonde

the other sometimes suspect musings of max adams
:::the new screenwriter's survival guide:::

professor max

As of January 2011 —

AFW online courses are accredited University of Utah
courses. For info on course credit, contact Paula Lee
in the Film & Media Arts Department via paula.lee @
utah.edu or Max via :::afw contact page:::

Spring Classes:

The Art of the Pitch, 01.11.11
Visual Writing, 01.11.11
Character Writing, 03.15.11
High Concept Writing, 03.15.11

For a list of all upcoming classes, visit :::afw courses:::


*afw classes are open to max students outside of the u’s film & media arts department for info on that contact max directly via the :::contact page:::

where the art work comes from :
that is from rich legg



SPACE, LIGHT, TEXTURE




“Visuals are the weakest element in most script pages I see and Visual Writing is the first class I created because I thought this was the most important missing subject in screenwriting classes. Most writers sit down and think story. But a film is not just story. A film is, literally, moving photographs. And if you don’t know that, if you don’t write that, you are not writing a film. And nobody reading the script will ‘see’ a film. Because you didn’t write one. This is why space, light, and texture are the building blocks of  Visual Writing. Because space, light and texture are the building blocks creating an image on film — and so, the building blocks creating ‘film’ using just words on a page.”


– max adams discussing :::visual writing:::

where the art work comes from :
that is from tänze des grauens


Academy Awards $450,000 to U.S. Film Festivals in 2011 | Press Release | The Academy

Beverly Hills, CA (November 4, 2010) – The Academy Foundation of the Academy of Motion Picture Arts and Sciences has awarded $450,000 to 30 U.S. film festivals for the 2011 calendar year, Festival Grants Committee Chair Buffy Shutt announced today. The Chicago International Film Festival will be the recipient of a multiyear grant for its World Cinema Spotlight program. It will receive a total of $150,000 over a three-year period. The Nashville Film Festival and the New Orleans Film Festival are each in the third and final year of a multiyear grant, with each receiving $75,000 in total for numerous outreach programs. While the grants are awarded for a variety of festival programs, organizers are encouraged to submit proposals intended to make festival events more accessible to the general public, provide greater access to minority and less visible filmmakers, and help strengthen the connection between filmmakers and the general public.

[click the orange link to continue reading]

Michael Arndt to Deliver Keynote at 25th Nicholl Fellowship Celebration

— Oscar®-winning writer Michael Arndt will deliver the keynote address at the Academy of Motion Picture Arts and Sciences’ 25th annual Don and Gee Nicholl Fellowships in Screenwriting presentation dinner on November 4, 2010, at the Beverly Wilshire hotel. Arndt earned his first Oscar nomination and win in 2006 for the original screenplay for “Little Miss Sunshine.” He also wrote the screenplay for “Toy Story 3,” released earlier this year. The Academy annually awards up to five Nicholl fellowships of $30,000 each. Ten scripts have advanced to the final round of the competition this year. Since the program’s inception in 1985, 113 fellowships have been awarded.

[to continue reading hit the orange link above]

open seats 10.29.10

I have one seat open in the 5150 workshop, the Jan pitch class is full the next pitch class will be 09.13.11, there are four seats open in the Nov visual writing class. Also the March high concept writing class is now open for registration and so is the March character writing class.

*high concept writing is very popular please register early to reserve a seat in that class


:::class info:::

THE MISCONCEPTIONS OF BEING A SCREENWRITER

The misconceptions of being a screenwriter

This is from The Academy. I’d share the clip if I could but the AMPAS site is being bitchy and won’t let me. Ahhh! This is however a very cool clip. Screenwriters Lawrence Kasdan, Dick Clement, Brian Helgeland, John August, Callie Khouri, Billy Ray, Scott Frank, Marc Norman, Phil Alden Robinson, Ted Griffin and Robin Swicord discuss some of the misconceptions people have about screenwriting, screenwriters, and what screenwriters do.

Watch this clip.


nicholl 2010 lists

Joan Wai has released the 2010 Nicholl
quarterfinalist and semi-finalist lists. 
Anyone industry who would like to
receive the lists should contact Joan
at nicholl@oscars.org with a brief
blurb about your company.

Academy Announces Nicholl Finalists

Beverly Hills, CA (September 27, 2010) — Ten writers have been selected as finalists for the 25th annual Don and Gee Nicholl Fellowships in Screenwriting, presented by the Academy of Motion Picture Arts and Sciences. Their scripts will now be read and judged by the Academy’s Nicholl Committee, which may award as many as five of the prestigious $30,000 fellowships.

This year’s finalists are (listed alphabetically by author):

  • Art Corriveau, Santa Fe, New Mexico, “Nicky Flynn Finally Gets a Life”
  • Destin Daniel Cretton, San Diego, Calif., “Short Term 12”
  • Sebastian Davis, Los Angeles, Calif., “Drunk-Dialing”
  • Marvin Krueger, North Hollywood, Calif., “And Handled with a Chain”
  • Andrew Lanham, Austin, Texas, “The Jumper of Maine”
  • Tim Macy, Kansas City, Mo., “The Last Queen”
  • Micah Ranum, Beverly Hills, Calif., “A Good Hunter”
  • Cinthea Stahl, North Hollywood, Calif., “Identifying Marks”
  • Logan Steiner, Redondo Beach, Calif., “The Promise of Spring”
  • Sage Vanden Heuvel, Ann Arbor, Mich., “Inner Earth”

The finalists were selected from 6,304 scripts submitted for this year’s competition. The competition is open to any individual who has not sold or optioned a screenplay or teleplay for more than $5,000, or received a fellowship or prize that includes a “first look” clause, an option, or any other quid pro quo involving the writer’s work.

The Nicholl Committee, chaired by producer Gale Anne Hurd, is composed of writers Naomi Foner, Daniel Petrie, Jr., Tom Rickman and Dana Stevens; actor Eva Marie Saint; cinematographers John Bailey and Steven B. Poster; executive Bill Mechanic; producers Peter Samuelson and Robert W. Shapiro; and agent Ronald R. Mardigian.

Fellowships are awarded with the understanding that the recipients will each complete a feature-length screenplay during their fellowship year. The Academy acquires no rights to the works of Nicholl fellows and does not involve itself commercially in any way with their completed scripts.

Since the program’s inception in 1985, 113 fellowships have been awarded, and a number of fellows have achieved considerable success. Mike Rich, a 1998 fellow, wrote the upcoming “Secretariat.” Susannah Grant, a 1992 fellow, earned an Oscar nomination in 2000 for her “Erin Brockovich” screenplay. Andrew W. Marlowe, a 1992 fellow, created and executive produces ABC’s “Castle,” for which Terri Miller, also a 1992 fellow, is a writer-producer. “City Island,” which was written and directed by 1991 fellow Raymond De Felitta, premiered at the 2009 Berlin and Tribeca film festivals, and premiered theatrically in March of this year.

Several other Nicholl fellows have had success in the film industry; to read more about them, visit http://www.oscars.org/awards/nicholl/fellows/notable.html.

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